AHRC Online Conference

Classical Music Hyper Production and Practice As Research
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a few reflections on recording, modernity and modernism

In seeking contributions, Simon asked that contributors should reflect on 'the sound-worlds used in recorded classical music and how these relate to ideas of modernity, authenticity, commerciality, pedagogy and the musical 'text' both in the traditional repertoire and in the composition and performance of new music'.Thinking about this in the light...
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